The Thomas Merton Center at Bellarmine University

MERTON'S CORRESPONDENCE WITH:
Spaeth, Eloise, circa 1902-1998

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Descriptive Summary

Record Group: Section A - Correspondence

Dates of materials: 1960-1962

Volume: 25 item(s); 40 pg(s)

Scope and Content

Eloise Spaeth helped review Merton's manuscript for a proposed book entitled, Art and Worship. She advised against his publishing of the book, advice which Merton followed. Merton continued his own art, which entered a new phase of maturity during the rest of the 1960's.

Biography

Eloise Spaeth was a patroness of the arts from New York. She was major force in convincing the Smithsonian Institution to open its Archives of American Art and was a promoter of Guild Hall in East Hampton. (Source: "SPAETH, ELOISE O'MARA". New York Times [online]. 6 Sep. 1998. Accessed 22 May 2006. Bellarmine University Library. ‹http://query.nytimes.com/gst/fullpage.html?res=9400E1DC133CF935A3575AC0A96E958260›.)

Usage Guidelines and Restrictions

Related Information and Links

Other Finding Aids

If the person in correspondence with Merton has full text records in the Merton Center Digital Collections, there will be a numeric link to them below.
   

Series List

This Record Sub-Group is not divided into Series and is arranged chronologically.

Container List

SeriesDateTypeTo/FromFirst LinesPubFull TextNotes
 1960/07/18 (#01)TLS[x]from MertonBob Giroux has been promising me for a very long time that you would help me to fill in the gaps  [second page is a drawing by Merton]
 1960/07/18 (#02)TL[c]from MertonBob Giroux has been promising me for a very long time that you would help me to fill in the gaps   
 1960/10/25 TL[x]from Wright, John J.These thoughtful reflections of Father Thomas Merton and the exquisite reproductions which accompany  [John J. Wright was the Bishop of Pittsburgh at the time and writes in praise of <i>Art and Worship</i>]
 1960/11/07 TL[x]from MertonMany thanks for your kind letter and for the photographs. I am especially taken with some of them--   
 1960/11/11 TLS[x]from MertonI enclose a copy of Bishop Wright's Prefatory Note to ART AND WORSHIP. I've sent him the copy   
 1960/11/23 TLS[x]from MertonYour books has arrived and I am not just being polite when I say I am delighted to have it.   
 1961/05/09 TALS[x]from MertonThanks for your good letter and for the catalogue of the Tate exhibit. I found the layout   
 1961/06/19 TLS[x]from MertonYour spring must have been pretty hectic and I think mine was no less so, though I admit I am not   
 1961/07/25 TLS[x]from MertonThanks for your good letter of a while back. I agree with you that we have to keep going   
 1961/12/01 (#01)TALSto MertonI should hang a mea culpa sign around my neck, fast on bread and water and stand in the corner   
 1961/12/01 (#02)TLS[x]to MertonI should hang a mea culpa sign around my neck, fast on bread and water and stand in the corner   
 1962/01/21 TAL[c]to MertonHave just turned off The Catholic Hour "Fire Watch". It is a beautiful and moving piece of work   
 undated/08/21 (#01)TL[x]to Longley, Fr.You may well wonder why I have the temerity to burden you with my problems but I was told by Mr.   
 undated/08/21 (#02)TL[x]to Fallani, GiovanniMy husband and I were most impressed with the beautiful brochure explaining your activities which  [to Msgr. Giovanni Fallani, Director, Pontifical Institute of Christian Art, Piazza della Cancelleria in Rome, Italy]
 undated/10/13 TAL[x]to Fraretti, CostantinoI am sorry to be so late in sending you the money for the four photos that you said you would have  [Fr. Costantino Fraretti (sp?) from Rome, Italy]
 undated/no/no other[x]    [3 barely legible notes copied onto one page with names and addresses]
 undated/no/no other[x]to Merton#1 Page 3 [-] The term ikon should be used as a noun. To substitute it for image is un-necessarily   
 undated/no/no other[x]to Merton<u>Notes</u> [-] In his <u>first</u> sentence of the book Merton cited examples as he went along -  [handwritten notes by Spaeth on Merton's manuscript on <i>Art and Worship</i>]
 undated/no/no other[c]to MertonA few comments on Art and Worship by Eloise Spaeth. I like the fact that the difference  [typed and annotated notes by Spaeth on Merton's manuscript for <i>Art and Worship</i>]
 undated/no/no TL[c]from Getlein, FrankI have read Merton's manuscript three times now and it is my best advice that you have nothing to do  [this copy not signed (see next record) - likely art critic Frank Getlein]
 undated/no/no TLS[x]from Getlein, FrankI have read Merton's manuscript three times now and it is my best advice that you have nothing to do  [signed "Frank" - likely art critic Frank Getlein]
 undated/no/no TLSto MertonNice to have the old school remember one isn't it? Congratulations. I think that it is time we got   
 undated/no/no other[x]to MertonNotes on Merton Material. [-] Bad Merton: no vitality, even the usual stunning phraseology   
 undated/no/no HLS[x]from MertonOne way in which we might save some time tomorrow would be to have some kind of breakfast   
 undated/no/no HN[x] Robert Giroux of Farrar Straus &amp; Giroux asked me to colaborate [sic] on a book with the trappist  [note by Spaeth on being asked to collaborate on <i>Art and Worship</i> with Merton and the outcome]
        

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