Manuscripts in Sub-Section C.5:
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Item 1 -
First Lines: ACKNOWLEDGMENTS This book owes much to its friends and to Thomas Merton's friends.
Sub-Type: Manuscript
Draft:
Copy Type: Page proofs
Date: December 06, 2005
Number of pages: 208
Additional authors/contributors:
Language: English
Notes:
Location: Archive - Stack 4 (file box)
Item 2 - "How I pray is breathe" : Thomas Merton in the Hermitage Years
First Lines: The 1960s are remembered as atime of irreversible change in the United States.
Sub-Type: Manuscript
Draft:
Copy Type: Computer printout
Date: no-month no-day, no-year
Number of pages: 5
Additional authors/contributors:
Language: English
Notes: Draft of an essay for inclusion in the book.
Location: Archive - Stack 4 (file box)
Item 3 - DRAFT OF 7.07.05 Victor Hammer
First Lines: There is a certain way to be an artist, now nearly lost, though I think always preserved and valued
Sub-Type: Manuscript
Draft:
Copy Type: Computer printout
Date: June 06, 2005
Number of pages: 6
Additional authors/contributors:
Language: English
Notes: Early draft of a book section on Victor Hammer.
Location: Archive - Stack 4 (file box)
Item 4 - Merton, Suzuki, Zen, Ink : Thomas Merton's Calligraphic Drawings in Context
First Lines: In his memorial essay of 1967 honoring D. T. Suzuki, Thomas Merton wrote these layered, haunting
Sub-Type: Manuscript
Draft:
Copy Type: Computer printout
Date: no-month no-day, no-year
Number of pages: 24
Additional authors/contributors:
Language: English
Notes: Draft of an essay for inclusion in the book.
Location: Archive - Stack 4 (file box)
Item 5 - PROPOSAL Shapes, Powers, Flying Beasts : The Calligraphic Drawings of Thomas Merton By Roger Lipsey
First Lines: Overview A conference at the Thomas Merton Center in December, 2004, gathered art historians
Sub-Type: Manuscript
Draft:
Copy Type: Computer printout
Date: no-month no-day, 2005?
Number of pages: 7
Additional authors/contributors:
Language: English
Notes: Proposal document for Angelic Mistakes.
Location: Archive - Stack 4 (file box)
Item 6 - The Art of Thomas Merton Thirty-Four Images
First Lines: A Preface to the Images The images in this portfolio were chosen from among hundreds in various
Sub-Type: Manuscript
Draft: 2nd Draft
Copy Type: Page proofs with black and white illustrations
Date: December 13, 2005
Number of pages: 146
Additional authors/contributors:
Language: English
Notes: A study of 34 calligraphies by Thomas Merton with a reproduction of each piece, notes and bibliography; pages 57-190 of proof.
Location: Archive - Stack 4 (file box)
Item 7 - The Art of Thomas Merton Thirty-Four Images [draft section of full-page illustrations
First Lines: A preface to the images The images in this portfolio were chosen from among many hundreds in various
Sub-Type: Manuscript
Draft: 1st Draft
Copy Type: Computer printout
Date: no-month no-day, no-year
Number of pages: 48
Additional authors/contributors:
Language: English
Notes:
Location: Archive - Stack 4 (file box)
Item 8 - The Invisible Art of a Highly Visible Man
First Lines: Illustrations Frontispiece portrait: Thomas Merton in the 1960s. Photograph by John Lyons.
Sub-Type: Manuscript
Draft:
Copy Type: Computer printout with holograph corrections
Date: no-month no-day, no-year
Number of pages: 5
Additional authors/contributors:
Language: English
Notes: List of the book's illustrations.
Location: Archive - Stack 4 (file box)
Item 9 - The Invisible Art of a Highly Visible Man
First Lines: It is the puzzling priviledge of this book to be the first extensive exploration of Thomas Merton's
Sub-Type: Manuscript
Draft: 1st Draft
Copy Type: Computer printout with holograph notations
Date: no-month no-day, no-year
Number of pages: 52
Additional authors/contributors:
Language: English
Notes: Draft of an essay for inclusion in the book.
Location: Archive - Stack 4 (file box)
Item 10 - The Invisible Art of a Highly Visible Man
First Lines: It is the puzzling priviledge of this book to be the first extensive exploration of Thomas Merton's
Sub-Type: Manuscript
Draft: 1st Draft
Copy Type: Computer printout with holograph notations
Date: no-month no-day, no-year
Number of pages: 52
Additional authors/contributors:
Language: English
Notes: Draft of an essay for inclusion in the book.
Location: Archive - Stack 4 (file box)
Item 11 - Three studies
First Lines: The long essay that opens this book encounters certain issues, people, and events of importance
Sub-Type: Manuscript
Draft:
Copy Type: Computer printout with holograph corrections
Date: no-month no-day, no-year
Number of pages: 50
Additional authors/contributors:
Language: English
Notes: Draft of an essay for inclusion in the book. The three studies include: Friends, Unlikely Peers, and Exhibitions.
Location: Archive - Stack 4 (file box)